August 10, 2013
U.S. Chamber of Commerce's Pro-Immigration Image
To promote increased immigration and lower wages, the U.S. Chamber of Commerce has come up with this terrifying logo:
Why is TV cooler than movies these days?
There are a lot of reasons for the decline in Cool Factor of movies relative to television, but this new Wall Street Journal article updates the numbers behind a big contributor that I identified in Taki's Magazine four years ago. From the WSJ:
Hollywood Takes Spanish Lessons As Latinos Stream to the Movies
In the past few years, Hispanics have become some of Hollywood's best customers. Though 15% of Americans over the age of 12 are Latino, they accounted for 25% of all movie tickets sold in the U.S. in 2012, according to a Nielsen Co. study. The average Hispanic moviegoer went to nearly 10 films in the year, compared with just over six for whites, African-Americans, and Asian-Americans.
... The new industry focus comes at a critical time for the movie business, which is desperate for good news in the domestic market. Attendance at theaters has declined 10% in the past decade, according to industry data, while home entertainment spending is off more than 17% from its 2004 peak.
"The U.S. is a mature theatrical market," says John Fithian, chief executive of the National Association of Theatre Owners trade group. "But unlike any other, we have a growing population and the fastest-growing part of that population, Hispanics, also happen to be the most enthusiastic moviegoers. That's good news for the future of our business."
The impact upon the quality of films and the quantity of quality films influenced by the Mexicanization of the American audience is rather like the widely discussed effect of globalization: famously, explosions translate into any language, witty dialogue less so. But, as Hispanics become a massive pillar in the domestic audience, explosions play better here, too.
For example, the Academy Awards gave the latest Best Picture to Ben Affleck's "Argo" largely to encourage the production of more mid-budget flicks aimed at middle-aged, educated, white Americans (like the Academy voters). "Argo" was a fine movie, but it's hard to imagine it winning Best Picture in past eras when Hollywood made a similar quality movie for grown-ups about once a month rather than as a once a year exception that proves the rules.
In contrast, television, especially subscription channels, can rope in smaller but highly articulate predominantly white audiences for shows like Downton Abbey and Mad Men.
Let me point out the peculiar aspect of white flight from increasingly Mexicanized things: it's seldom talked about as much as white flight from black things. The media is constantly full of discussions of whether or not whites are listening to enough black music or giving blacks enough Academy Awards. This kind of thing strikes white people as fun to argue over.
In contrast, white people's declining interest in all things Mexican or even Mexican-influenced is almost never mentioned. It's not a conspiracy of silence, however. It's a conspiracy of boredom.
Pew: "Integration without blacks in NYC neighborhoods"
From the Pew Research Center:
Sign of things to come? Integration without blacks in New York City neighborhoods
New York City has always been a trendsetter for the rest of the country in art, fashion and cuisine. Now two researchers have documented a new demographic trend in the Big Apple that they suggest may be a glimpse of the future for other large American cities.
Researchers Ronald J.O. Flores and Arun Peter Lobo call it integration without blacks. In the past 40 years they found nearly a three-fold increase in the share of integrated New York City neighborhoods with a mix of whites, Hispanics and Asians but few, if any, blacks.
At the same time, the share of integrated neighborhoods in which blacks comprised at least 10% of the residents fell by about a third, Flores and Lobo reported in the latest Journal of Urban Affairs.
The result, they wrote, is an “emerging black/non-black color line, where Asians and Hispanics are increasingly aligned with whites while distancing themselves from blacks.”
Using Census data, the researchers analyzed shifts in integration patterns in 2,111 New York City census tracts between 1970 and 2010. This period marked an explosive period of demographic change in the city: During that time the share of whites-nearly two-thirds of the population in 1970-fell by about half to roughly 33%, while the proportion of blacks remained relatively stable at about 23%. At the same time, the city’s Hispanic population doubled to 28% and the Asian share grew more than six fold to 13%.
The researchers used census tracts as proxies for neighborhoods. They defined an integrated neighborhood as one in which whites comprised more than 10% but less than 70% of all residents while some mix of blacks, Asians or Hispanics comprised the remainder.
Within these integrated neighborhoods, they identified those that were “integrated, with blacks” And those that were “integrated, without blacks.” In order to be defined as neighborhoods that were integrated with blacks, African Americans had to make up at least 10% of the residents in the census tracts. Those labeled integrated without blacks contained fewer than 10% blacks.
Since 1970, Flores and Lobo found that the proportion of “integrated, without blacks” neighborhoods nearly tripled from 13% to 37% in 2010. At the same time, the share of “integrated, with blacks” areas fell from 22.4% to 14.9%. The biggest changes were in neighborhoods where minorities made up at least 70% of the residents, which grew dramatically, and those where whites were the clear majority, which plummeted as a share of all census tracts.
This pattern is hardly new in some places outside of New York: it was common in Southern California a generation ago. But it is interesting to see it playing out in New York City.
My guess is that in a half century or so, African-Americans will look back in wonder from their current residences in Section 8 podunkvilles at the fact that a century before they heavily inhabited the great liberal cities of America, that they used to live in large numbers on Manhattan, in the nation's capital, a few miles from the beach in L.A., along the lakefront in Chicago, near downtown Boston, and even in San Francisco! It will seem strange in 2063 that back in the early 21st Century, the synonym for black music and black radio stations was "urban."
Here's an alternative possibility, however: if crime can be brought down even further in the Surveillance State, maybe African-American neighborhoods will become more attractive to white gentrifiers, even if they can't push all the blacks out.
By the way the top graph showing the steady rise in NYC's Asian population reminds me of something a New York reader told me awhile ago. She says that while today it seems inevitable that Jews like her will more or less dominate New York City politics forever, she looks around and sees an ever-growing number of Chinese competently inhabiting New York. Maybe, she says, in a half century New York will be a Chinese-dominated city?
August 9, 2013
Informative logo for Open Borders movement
The Open Borders movement is looking for a logo, so here's one that would help them get the impact of Open Borders across vividly:
C'mon, Open Borders guys, you always feel as if the media, while sympathetic, doesn't give you enough attention. By encapsulating one obvious effect Open Borders would have (the extinction of the Jewish State), this logo would get your message lots of attention.
Dr. James Thompson's Richwine / rich wine challenge
Four months ago, James Thompson made a challenge to the Ana Marie Cox-types hounding Jason Richwine out of work:
“So here is the challenge: a bottle of fine French wine sent to the first person who can show that Hispanic/Latino American intelligence and scholastic ability is on the same level as European American intelligence and scholastic ability. Data please.”
So far, the data has not been forthcoming.
Richwine: "Why can't we talk about IQ?"
Jason Richwine has finally found an outlet willing to publish his response to the tidal wave of ignorance that cost him his job. From Politico:
“IQ is a metric of such dubiousness that almost no serious educational researcher uses it anymore,” the Guardian’s Ana Marie Cox wrote back in May. It was a breathtakingly ignorant statement. Psychologist Jelte Wicherts noted in response that a search for “IQ test” in Google’s academic database yielded more than 10,000 hits — just for the year 2013.
Read the whole thing there.
National blankness
At Rhymes with Cars & Girls, commenter Crimson Reach suggests this as the perfect logo for Open Borders:
We can combine the spirit of the white flag, the empty country, and the bubble by submitting this as the logo.
Along these lines, here's Richard Hell and the Voidoids' "Blank Generation."
Caplan on Sailer
Economist Bryan Caplan is a cheerful but humorless soul, so he's upset that my readers have been having fun with his Open Borders logo contest, and he projects his anger upon those having a laugh at his expense.
But Caplan does make a good point: Out of all the intellectuals in the country, when it comes to thinking about immigration (and perhaps race and a few other crucial topics), I'm the most sane, sensible, moderate responsible grown-up, which makes me widely hated. In contrast, Caplan's Open Borders views on immigration are self-evident lunacy, which makes him far more respectable. As Caplan says, "I have to admit, it's bizarre."
Caplan writes:
Citizenists strike me as extraordinarily angry people. But I have to admit: If I were them, I'd be angry too.
Consider their intellectual situation: Every orthodox moral theory - utilitarianism, Kantianism, egalitarianism, libertarianism, wealth maximization, Rawlsianism, Christianity, and Marxism for starters - straightforwardly endorses open borders, or something close. Yet almost everyone in the First World strongly opposes this policy. The moral theory of citizenism, in contrast, does not straightforwardly endorse open borders. Indeed, combined with suitably misanthropic descriptive views, citizenism handily justifies the strict immigration restrictions that most First Worlders know and love.
So why the anger? Because even though people love the implications of citizenism, they wince at the doctrine itself, and stigmatize its adherents. Adherents of orthodox moral theories, in contrast, enjoy respect and approbation. Americans in particular want to have their cake and eat it, too.
They certainly don't want their country "invaded" by Latin American immigration. But when a citizenist articulately justifies their anxiety, the typical American feels like the citizenist is too racist to acknowledge, much less endorse.
Think about it like this: Steve Sailer's policy views are much closer to the typical American's than mine. Compared to me, he's virtually normal. But the mainstream media is very sweet to me, and treats Steve like a pariah. I have to admit, it's bizarre.
Still, if I were a citizenist, I wouldn't be that angry. Relative to the open borders alternative, the U.S. border is already virtually closed. (Disagree? Tell me what annual immigration would be under open borders, and compare this to what we currently get).
Indeed.
If I were a citizenist, I'd be grateful that the status quo approximately equals my favorite policy. Sure, it's frustrating when people flip out at you for forthrightly justifying the policies they already support. But what's more important: Getting the respect you feel you deserve, or getting the policies you think are morally right?
I'm very happy that the electorate agrees far more on immigration policy with me than with Bryan Caplan.
As for my influence, I've been writing a long time, and I'm stoic about the fact that my influence works through labyrinthine laundering processes, where my ideas eventually show up in more sonorous forms on the op-ed page of the New York Times weeks or months or years after I publish them. Eventually, I expect to be recognized as The Guy Who Figured Out the Answers to Some of the Hard Questions, but I don't expect that to happen before I'm very old. Such is the way of the world ...
As for my influence, I've been writing a long time, and I'm stoic about the fact that my influence works through labyrinthine laundering processes, where my ideas eventually show up in more sonorous forms on the op-ed page of the New York Times weeks or months or years after I publish them. Eventually, I expect to be recognized as The Guy Who Figured Out the Answers to Some of the Hard Questions, but I don't expect that to happen before I'm very old. Such is the way of the world ...
On the other hand, the media conventional wisdom considers Bryan's extremism to be admirable, if perhaps a little too forthright for the peasants at the moment. Unfortunately, it's not a good idea to blithely assume that elites won't get what they keep shouting for, no matter how stupid it is. To update for the 21st Century H.L. Mencken's apothegm on democracy, “Mediacracy is the theory that the elites know what they want, and deserve to get it good and hard.”
The problem is that there can be a lot of collateral damage when sanity is considered unmentionable in elite discourse.
My 2009 review of Neill Blomkamp's "District 9"
Here's the opening to my long 2009 review in Taki's Magazine of the sci-fi movie District 9, directed by Neill Blomkamp, whose Elysium opens today:
... Yet, few Americans (except the black critic Armond White, who has made himself wildly unpopular with fanboys of District 9 by pointing out the film’s strikingly caustic portrayal of black Africans) seem to grasp writer-director Neill Blomkamp’s subversive perspective, even though the exiled Afrikaner keeps giving interviews more or less spelling it out.
The American press constantly refers to District 9 as an “apartheid allegory,” but the 29-year-old Blomkamp was ten when Nelson Mandela was released. Blomkamp’s press statements can hardly be more explicit that the movie is largely a post-apartheid parable about illegal immigration and Malthusian despair.
In fact, Blomkamp is personally a victim of the gradual ethnic cleansing of southern Africa. Rampant crime under the new black government drove his family from Johannesburg to British Columbia in 1997.
But Americans just don’t get it because they haven’t paid attention to South Africa since 1994, when Nelson Mandela was elected President and then They All Lived Happily Ever After. Blomkamp told the Milwaukee Journal Sentinel, “Everybody in North America thinks of South Africa for white oppression of the black majority.” Yet, 15 years later, “what we’re not familiar with is this screwed-up Johannesburg setting.”
Just as 1981’s Road Warrior, with Mel Gibson as Mad Max, memorably re-imagined the defining Australian experience of living on an empty continent, District 9 symbolizes the lesson of Afrikaans history: on an increasingly full continent, the weak can eventually triumph over the strong by outbreeding them.
Much of District 9 is a video game-style shoot-‘em-up complete with the predictable teaming up of the rebel human hero and the single smart, nice alien hero (the Mandela stand-in) to battle the evil corporation.
Nonetheless, what gives the film its distinctive ferocity is its bitter Malthusian wisdom distilled from the Afrikaner diaspora. History may be written by the winners, but some of the most bracing fiction—for example, Disgrace, the 1999 novel about gang rape in the new South Africa by J.M. Coetzee, the Nobel laureate who fled to Australia in 2002—is written by history’s losers, such as the Afrikaners.
Read the whole thing there.
By the way, here is a review of literary heavyweight (The Great Railway Bazaar) Paul Theroux's The Last Train to Zona Verde: My Ultimate African Safari, a trip through South Africa, Namibia, and Angola by Marian Evans in The American Renaissance. Like his mentor, Nobel laureate V.S. Naipaul, Theroux is something of a misanthrope, so adjust accordingly when reading Theroux.
By the way, here is a review of literary heavyweight (The Great Railway Bazaar) Paul Theroux's The Last Train to Zona Verde: My Ultimate African Safari, a trip through South Africa, Namibia, and Angola by Marian Evans in The American Renaissance. Like his mentor, Nobel laureate V.S. Naipaul, Theroux is something of a misanthrope, so adjust accordingly when reading Theroux.
August 8, 2013
A map of the Open Borders world
MissingMy Manners explains a new entry in the Open Borders logo contest:
This one symbolizes all the wonderful global diversity that would accrue from open borders.
Cory Booker is a piker: Adrian Fenty takes pole position to become Silicon Valley's own Tame Black President
Yesterday, the news broke about how Silicon Valley interests were buying themselves into the good graces of Cory Booker, candidate for the Democratic nomination for Senator from New Jersey and potential Presidential contender (although perhaps more plausibly as a Republican), by starting up a social media firm for him. Obama's had Wall Street's back, so Silicon Valley wants its own pro-plutocrat black President.
| "Summer 2015, I'll be back in Fast & Furious 7!" |
Today, though, we learn that Adrian Fenty -- the former Washington D.C. mayor who endeared himself to white gentrifier journalists (but not to black voters) by hiring Korean-American dragon princess Michelle Rhee to fire black teachers -- has a much better plan for using Silicon Valley lucre to get rich enough to buy his way into Presidential Timberhood. He's doing it the old fashioned way: wooing a rich widow. From the Washington Post:
Adrian Fenty and his ‘budding romance’ with Laurene Powell Jobs, billionaire widow of Apple co-founder Steve Jobs
By The Reliable Source, Published: August 8 at 7:29 pm
Looks as if Adrian Fenty took the phrase “Go West, young man” to heart — and has done very well for himself.
Last year, the former D.C. mayor scored a plum job with Andreessen Horowitz, one of Silicon Valley’s hottest venture capital firms. Now we’ve learned that Fenty is dating Laurene Powell Jobs, the billionaire widow of Apple co-founder Steve Jobs.
The two met at a Houston education conference in 2011 and bonded over a shared passion for school reform. In February 2012, Fenty joined the board of College Track, a non-profit college prep program for underserved students co-founded by Powell Jobs.
“Adrian Fenty is one of our country’s great advocates for education reform,” she said in a statement when he joined the board. “His sense of urgency and record of accomplishment is unparalleled.”
The College Track board position led to his job as a special adviser at Andreessen Horowitz. He met co-founder Marc Andreessen at a College Track event; Andreessen’s wife is a close personal friend of Powell Jobs.
Mr. Andreessen and Mrs. Arrillaga-Andreessen were also involved in Cory Booker's pseudo-startup.
Sources tell us the relationship began as a friendship and blossomed into a “budding romance” around the time Fenty and his wife, Michelle, formally announced their separation in January. The Fenty marriage had been rumored to be on the rocks for months; there’s no indication that Powell Jobs had any role in the split. (The divorce is close to completion but not yet finalized.)
If you don’t know much about Powell Jobs, 49, you’re not alone. While the world obsessed about all things Apple and Steve Jobs, his wife of 20 years deliberately maintained a very low profile. When Jobs died in October 2011, the businesswoman and mother of three inherited an estate of about $10 billion — mostly Apple and Disney stock — making her one of the richest women in America.
| "Sure, from somewhere, Steve's looking up, and he's not happy about Adrian and me. But who cares, he's dead, and I put up with his infinite irrational demands long enough." |
Leroy Krune's logos for Open Borders
On the Facebook page for the Open Borders logo contest, Leroy Krune submits:
This is my first attempt at a logo, it represents the spirit of open borders, with new people of color who are happy and work together and the dying older people who are angry and selfish.
I am going to make another one because I was worried that this one was too complicated for people to copy on a sign.
Here is my other idea, which is more simple and inviting...it shows a house with an open door, because open borders is about inviting in your neighbors, and the person upstairs is excited to meet new friends.
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